HAS AS ITS...
(after script)
AGE OF IDOLATRY
(after print)
AGE OF ART
(after visualisation)
AGE OF VISUAL
(RELATION TO THE EXISTING)
(transcendental)
Image is a seer.
(illusory)
Image is seen.
(numerical)
Image is a vision.
Image is a being.
Image is a thing.
Image is a perception.
(SOURCE OF AUTHORITY)
(God)
(Nature)
(Machine)
(from within)
(from without)
(from within)
(and salutation)
Image captures
(and enchantment)
Image captivates
(and play)
Image is captured
to RELIGIOUS
(cyclic time)
to HISTORICAL
(linear time)
to TECHNICAL
(punctual time)
(teologico-political rule)
(autonomous administration)
(techno-economic guidance)
FOR PRODUCTION
According to script (canon)
According to Antiquity (model)
After my own liking (mode)
(AND PHYSICAL MEDIUM)
(repetition)
hard (stone and wood)
(tradition)
soft (canvas)
(innovation)
immaterial (screen)
(from sorcerer to an artisan)
(from artist to genius)
(from entrepreneur to enterprise)
(you have my protection)
(I please you)
(Gotcha!)
2) THE ECCLESIASTIC = Monasteries and Cathedrals
3) THE NOBLE = Palace
2) BOURGEOISIE = SALON + CRITICS + GALLERY -> 1968
(plastic arts, design)
PUBLICITY (audiovisual)
and CAPITAL CITY
(between Antiquity and Christianity)
(between Christianity and the Modern)
(between the modern and postmodern)
treasure
collection
Reproduction
(anima)
(animus)
(animaatio)
To the underlying
Within context
Visual effect
(religious)
(personal)
(economic)
